➤➤海豚總動員～在線觀看完整版《Magic Arch》HK-TW電影～免費下載，

7 min readJan 31, 2021

明星: Stephen Thomas Ochsner, Daniil Medvedev, Liza Klimova, Bruce Grant, David Grout
导演: Alec Sokolow, Roman Borisevich, Vasiliy Rovenskiy, Vasiliy Rovenskiy, Vasiliy Rovenskiy

观看海豚总动员完整电影在线免费

观看海豚总动员完整电影在线免费 — …

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生活在鱼儿镇的小海豚戴菲总是活在自己的世界，不断地说着自己能够掌握「海豚拳」的秘诀，不知镇民们都拿他当笑柄。其实戴菲有一个秘密没让大家知道，他偷偷地暗恋章鱼市长的养女，但她早已名花有主，准备要嫁给小镇的万人迷。某一天，苦闷的戴菲四处闲晃时，意外发现一座具有魔力的拱门，似乎只要穿越它，就能变成自己想要的样子。没想到邪恶的海鳗帮也发觉了拱门的秘密，借着它变大也变强，甚至伺机接管鱼儿镇。聪明的戴菲终于有机会能证明自己的长才，他能否想到法子击退海鳗帮，并且抱得美「豚」归呢？本片堪称是俄罗斯版的《海底总动员》，集结海豚、海鳗、章鱼等不同种类的海洋生物，呈现出了一个独特又童趣的深海世界，动画呈现独树一帜，企图心不小。片中甚至出现了时空穿越的父子情深戏码，像是对《星际效应》的致敬，实在妙趣横生。

🢃 𝐛𝐚𝐢𝐝𝐮 𝐬𝐨𝐮𝐫𝐜𝐞 | 𝐦𝐞𝐝𝐢𝐚𝐟𝐢𝐫𝐞 | 𝐨𝐩𝐞𝐧𝐥𝐨𝐚𝐝 | 𝐝𝐚𝐢𝐥𝐲𝐦𝐨𝐭𝐢𝐨𝐧 | 𝐛𝐢𝐥𝐢𝐛𝐢𝐥𝐢 🢃

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海豚總動員
Magic Arch

上映日期：2021–01–29
片長：01時24分
發行公司：可樂電影
IMDb分數：5.4
導演：
瓦西里羅文斯基(Vasiliy Rovenskiy)
演員：

★拯救海底世界的大冒險！可愛逗趣情節、真摯感人親情媲美《海底總動員》
★《玩具總動員》《加菲貓》系列奧斯卡提名編劇，傾心打造年度奇幻動畫新作
★2021年寒假最令人期待的強檔動畫，讓海底的小魚們教你如何鼓起勇氣捍衛自己的心愛的事物

故事講述一隻年輕的海豚，某天意外在海裡發現了一道神祕的拱門，只要通過拱門就可以變成自己想成為的魚類。沒想到某天海底最邪惡的海鰻，也發現了這個祕密，並試圖控制拱門來征服海底世界。年輕海豚不得已，只好找尋失聯許久的爸爸，團結起來一起阻止海鰻的野心。這對尚未重修舊好的父子檔，有機會成功阻止海鰻嗎？

In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross.
The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets.
Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms.
Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee.
The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue.
An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes.
In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife.
The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history).
Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions.
Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income.
In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney).
Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable.
Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message.
Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.

➤➤海豚總動員～在線觀看完整版《Magic Arch》HK-TW電影～免費下載，

观看 海豚总动员 完整电影在线免费

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Written by Marshall Eaton

观看海豚总动员完整电影在线免费

观看海豚总动员完整电影在线免费 — …